Bat City USA

© Merlin D. Tuttle, Bat Conservation International, www.batcon.org

The November 8 meeting of the Pagosa Springs Photography Club will feature Laura Brooks, who will present and discuss her documentary Bat City USA, a video about how a Texas city overcame its fear of one of the world’s most misunderstood creatures, largely thanks to the efforts of one man. The Club’s meeting will be held at the Community United Methodist Church, 434 Lewis St in Pagosa Springs. Come at 6 PM for socializing; the presentation will begin at 6:30 PM.

A giant colony of Mexican Free-tailed bats moved into an Austin, Texas bridge in the 1980’s, after a bridge reconstruction project created an ideal roosting habitat. The “bat invasion”  created a media hoopla and alarm among residents worried about rabies. When the city threatened to exterminate the bats, conservationist and bat researcher Merlin Tuttle stepped in and fought to save them. Tuttle moved to Austin, then the epicenter of “worldwide bad bat publicity,” and founded Bat Conservation International to promote a positive image of bats.

Tuttle worked tirelessly to overcome opposition and change the public’s perception of bats from disease carriers to desirable creatures who help keep bugs in check. Tuttle became a pioneering bat photographer for National Geographic, developing special techniques that showed bats not as snarling beasts, but as creatures engaged in their natural ways of feeding, flying, and other behaviors.  Tuttle used his striking photos as an important weapon in his battle to gain acceptance for the bats and their environmental benefits.

Thanks to Tuttle’s efforts, Austin now loves its bats.  Each year, thousands of tourists are drawn to the downtown bridge for a close-up glimpse of one of the world’s largest urban bat colonies – at least one million bats.

The 54-minute documentary was directed by Laura Brooks, a Pagosa Springs resident and member of the Pagosa Springs Photography Club.  Brooks has worked for years as a journalist in Central and South America and along the US-Mexico border.

Following the presentation, Club members may share and discuss up to five of their images per person with the group.

The Pagosa Springs Photography Club promotes educational, social and fun interactions between all who enjoy making and viewing great photography. The club sponsors educational programs and outings to help photographers hone their skills.   We welcome photographers of all skill levels. For more information about the club, and to download a membership application, visit our website at https://pagosaspringsphotoclub.org/about/ .

Creative Use of Aperture and Depth of Field

Sunrise, North Window © Andy Butler. A small aperture of f/16 was used to render the spikes of the sun star.

The next meeting of the Pagosa Springs Photography Club will be held Sept 13 at the Community United Methodist Church on Lewis Street. Come at 6 pm to socialize with your fellow shutterbugs. The presentation will start at 6:30. The topic this month is Aperture and Depth of Field. We will watch and discuss a video on this subject by National Geographic photographer Joel Sartore. The video will discuss how to use aperture to create visual effects and control depth of field. When, and why might you want to use a shallow depth of field? What’s the effect of lens focal length on depth of field? What creative optical effects can you produce with either a low aperture such as f/2.8 or a high aperture like f/22? What is your experience? As Andy will be out of town, Vice President Gregg Heid will be hosting this meeting.

This will be a hybrid meeting. Those who can’t attend in person may request the Zoom link by email to abutler@mac.com. After the presentation, we will have a member’s image share. Please bring your images to share (up to 5 per photographer, jpeg format please) on a flash drive.

The Pagosa Springs Photography Club promotes educational, social and fun interactions between all who enjoy making and viewing great photography. The club sponsors educational programs and outings to help photographers hone their skills.   We welcome photographers of all skill levels. Dues for 2023 are just $25 ($35 family). Those who join or renew prior to September 15 are eligible to take part in our 2023 Digital Photography Contest. For more information about the Club, and to download a membership application, visit our website at https://pagosaspringsphotoclub.org/about/ . 

Abstractions Are Us

by Joseph T Sinclair

Photographs lend themselves well to abstractions; that is, you can create an abstract work of art using a photograph and photographic techniques. Let’s look at a few ways you can create abstraction photographs:

  • Photograph things that show a recognizable abstraction.
  • Photograph things that show an unrecognizable abstraction.
  • Photograph abstractions, such as other abstract works of art.
  • Make an abstraction photograph using a specific art filter (e.g., impressionist, Van Gogh, etc).
  • Use numerous photo editing filters to make an abstraction photograph.
  • Use Photoshop processes to make an abstraction photograph.
  • Use numerous photographs (collage) to make one abstraction photograph.
  • Use AI.

These are enough ideas to get you started. But there’s no limitation on the techniques you can use to make abstract art in photography.

Abstraction

What’s the definition of abstraction for the purposes of this article? It’s simply abstracting something that’s an unreal image from something that’s real. Or creating something from scratch that’s unreal. And it can have a beauty all its own. For instance, an abstract painting is an artists’ abstraction of a visual display from their own thoughts, imagination, or dreams. In this article, the focus is on abstracting a photograph from a recognizable image (photograph) or work of art.

Recognizable Abstraction

You can easily photograph almost anything in a way that shows it as an abstraction. But the abstraction can be recognized by the viewer. This is a popular and effective way to use abstraction as an artistic tool.

This is a recognizable shed but is such a bizarre
shot that it qualifies as an abstraction

Unrecognizable Abstraction

You can also easily photograph almost anything in a way that shows it as an abstraction, but one that a viewer cannot recognize. This is also a popular way to use abstraction as an artistic tool.

This a straightforward shot of a physical location that’s unrecognizable

Other Abstract Art

You can photograph other abstract art to achieve an abstraction. If you simply copy a work of abstract art, there’s often not much creativity involved. Nonetheless, works of art come in all shapes and configurations. If you shoot an abstract work of art in an unusual way or shoot only part of an abstract work of art, you can create something fresh.

This is a partial photograph of some Chihuly glasswork

Filter

You can use a filter to make a photograph abstraction. For instance, there are filters to make your photograph look like a Van Gogh or numerous other artists. This is an easy and fun way to make abstraction. And such abstractions can be very attractive and worthy of printing for use or for sale.

This has an impressionist look made from a
photograph taken in a Paris restaurant

Numerous Filters

You aren’t limited to using only one filter to manipulate a photograph. You can run a photograph through numerous filters to get a very creative abstraction photograph.

On the bottom is the end result of
using three Photoshop filters
on the photograph at top

Photoshop

Photoshop has lots of processes for turning photographs into abstract photographs. Let you imagination run loose.

This was created simply with the use of extreme saturation

Collage

You can combine photographs to get an abstract photograph. Typically, a physical collage can contain almost anything physical such as fabrics, newsprint, pieces of glass or wood, artistic painting, etc. The end result is an abstract work of art. Likewise, you can do the same with multiple photographs. Keep in mind that photographs can be opaque (normal) or have a degree of transparency (rendered in Photoshop) that enables a wide range of creativity.

A collage made from numerous photograph pieces

AI

AI is the newest way to make abstractions. You feed words into an AI generator and get a result. In other words, you play around with words instead of with Photoshop digital tools.

AI: abstract salt pepper wallpaper

Disease

The trouble with most of these techniques is that you can play around with them forever. It becomes an addiction-like disease. You lose all sense of time, reality, and family. The only cure is an ice-cold bath and a dozen sessions of psychiatric therapy.

AI: addiction disease cold bath psychiatric therapy

Leftovers

Most of us take a lot of photographs. Then we pick out the good ones and post them someplace digitally or print them. But the ratio is typically large. At least for me it is. I get one good (artistic) photo out of about 300 shots or more.

It is in reviewing all the discards that you may find some abstraction potential. A photograph that isn’t traditionally attractive may have some unique quality making it ideal for an abstraction. Keep that in mind as you look over your photographs.

Communication

Clearly, normal photographs communicate much about ourselves. And isn’t that the whole point of taking photographs: expressing ourselves. But abstractions go a step beyond normal communication. They better communicate phenomena not to be found in normal photographs—phenomena such as dreams, unnatural visions, and elemental sensitivity. Indeed, abstractions are us.

The Beauty and Challenges of Underwater Photography

© David Lenderman

The August meeting of the Pagosa Springs Photography Club will feature a presentation by David Lenderman on The Beauty and Challenges of Underwater Photography. The meeting be held on Wednesday, August 9, 6:00 p.m., at the Community United Methodist Church, 434 Lewis Street in Pagosa Springs.  

David’s program for the Photography Club will start with a discussion of why he is drawn to underwater photography. He will then share some major challenges of underwater photography and how dealing with these challenges has made him a better topside photographer. Next, David will demonstrate the equipment needed to get started in underwater photography.  Finally, he will share a 3-4 minute music synced slide show of some of his favorite underwater images created in Indonesia, Philippines and Socorro Islands, Mexico.

© David Lenderman

David Lenderman was SCUBA certified in 1989 and fell in love with being underwater. In an attempt to share the amazing underwater world with non-diving friends and family members he began making photos underwater in the early 90s. By 1998 he decided to really work on improving his underwater photography. 

© David Lenderman

As part of his drive to improve, David joined the Houston Underwater Photographic Society (HUPS) and learned a tremendous amount from the more experienced members. David ended up becoming very active in HUPS, eventually serving as board member, VP, and President. During his time as a HUPS member David has been awarded Member of the Year, Advanced Photographer of the Year and HUPS Lifetime Achievement Awards.  Underwater he has photographed everything from 1/2” long pygmy seahorses to forty foot long Humpback whales.  In pursuit of underwater subjects David has traveled to many exotic locations around the world. His favorite destinations are the biodiversity hotspots of Indonesia and the Philippines.  David can’t be underwater all the time so he also dabbles in nature, travel and even portrait photography.

The meeting will begin at 6 p.m. with social time, and the program will start at 6:30 p.m. After David’s presentation, Club members may share and discuss up to five of their images with the group. This will be a hybrid meeting, both in-person and on Zoom. The Zoom link will be emailed to members; others who wish to attend may request the link by email to abutler@mac.com. Photography Club meetings are open to the public.

The Pagosa Springs Photography Club promotes educational, social and fun interactions between all who enjoy making and viewing great photography. The club sponsors educational programs and outings to help photographers hone their skills.   We welcome photographers of all skill levels. Dues for 2023 are just $25 ($35 family). For more information about the Club, and to download a membership application, visit our website at https://pagosaspringsphotoclub.org/about/ .

White? Revisited

by Joseph T Sinclair

To understand this article you must first read White?. I would add a sentence to these sentences from White?:

This [selling an all-white photograph] is going to be a hard sell, however, unless you attach some BS to it to make it valuable. You have an explanation to write and the title to play with.

The explanation takes a little work but is not too difficult. Simply research on Google what other artists have said about their all-white paintings and distill to a similar line of compelling BS.

Titles are more difficult. They take some ingenuity and cultural awareness. But an all-white painting doesn’t have much value without evocative title words.

Add the following sentence:

You can use AI to generate the BS you need for an explanation and for creating a compelling title as well. AI does this task for you with surprising competency.

My friend Tim actually did the AI generation below.

I turned the problem of promoting and selling your work over to ChatGPT.  Here’s the prompt I wrote.

I have made an all-white photo that is 4 X 8 feet mounted on plywood, and framed. I hope to sell it for $20,000.00 Write a promotional announcement for the sale justifying the existence of the photo as a work of art and defending the $20,000 price tag as eminently reasonable.


The response is attached.  I thought it was quite good.  I get 10% if you use it. 🙂
Tim

Here is the AI response to Tim’s AI prompt:

Introducing a Masterpiece of Minimalism: “Infinite Serenity”

Step into the world of ethereal elegance with our latest creation, “Infinite Serenity” – a stunning all-white photo meticulously crafted on a grand scale of 4 x 8 feet, mounted on plywood, and exquisitely framed. This masterpiece transcends the boundaries of conventional art, inviting you to immerse yourself in an unparalleled experience of pure tranquility and contemplation.

“Infinite Serenity” is not just a photograph; it is an artistic expression that speaks volumes through its minimalist allure. Drawing inspiration from the essence of purity and simplicity, this captivating piece embodies the notion that art does not always require an intricate composition to evoke profound emotions.

At first glance, you may perceive “Infinite Serenity” as a blank canvas, but therein lies the brilliance of this creation. Like a blank page awaiting the touch of a poet’s pen, it invites viewers to become co-creators in the artistic process. The absence of overt symbolism or subject matter offers a canvas for introspection, encouraging personal reflection and eliciting unique interpretations from each beholder.

Now, some may question the $20,000 price tag associated with this extraordinary work. Let us shed light on the eminently reasonable pricing for “Infinite Serenity”:

  1. Uniqueness: “Infinite Serenity” is a one-of-a-kind creation, making it a rare gem for art collectors seeking exclusivity and unmatched artistic value.
  2. Craftsmanship: The meticulous attention to detail in producing this piece, fromselecting the finest materials to expertly framing it, showcases the dedication and skill of the artist, elevating its worth.
  3. Size and Impact: The grand scale of 4 X 8 feet ensures that “Infinite Serenity” commands attention and transforms any space it graces, making it a statement piece worthy of investment.
  4.  Aesthetic Appeal: The minimalist aesthetic transcends trends and time, promising that “Infinite Serenity” will remain a captivating centerpiece for generations to come.
  5.  Emotional Connection: Art often touches us in ways that defy explanation. “Infinite Serenity” has the potential to resonate deeply with individuals, becoming an irreplaceable part of their lives.
  6. Artistic Vision: Setting a price on art is often a challenging task, as it reflects not only the physical piece but also the artist’s vision and the intangible value of creativity and imagination.

We firmly believe that “Infinite Serenity” is not merely an object for sale but an investment in moments of reflection, introspection, and inspiration. It serves as a conduit to connect with the profound simplicity of life, prompting a meditative journey that transcends the ordinary.

Join us in embracing the allure of “Infinite Serenity” and indulge in the transcendent world of minimalist art. Owning this remarkable creation is not just an acquisition; it is an enriching experience that captures the essence of art’s boundless power to move and transform.

Visit our gallery to witness the enigmatic charm of “Infinite Serenity” and secure this remarkable piece for your collection. Be a part of the art that whispers to the soul and speaks volumes with its silence.

Limited edition. Price: $20,000.00. Own a moment of infinite serenity today.

If this is your first introduction to AI, you should be amazed. If you’re familiar with AI, you should be impressed too. But ChatGPT is not the only AI generator that’s free to use. Here are several with which you can experiment:

DALL-E 2 (https://openai.com/product/dall-e-2)

Microsoft (https://www.bing.com/images/create?)

Adobe (https://www.adobe.com/sensei/generative-ai/firefly.html)

White?

by Joseph T Sinclair

There has been a long-lasting fad of all-white paintings going back many years. These paintings are typically 4 ft x 8 ft or larger. They’re all white. You can find them in some museum collections regardless of the size or prestige of a particular museum. If you want to buy one, they range in price from a few hundred dollars to $30,000.

Fortunately, this fad has come to photography. Not long ago in the Napa Valley, I saw a very large all-white photograph. So, now photographers can take part in this lucrative image industry. The question is, how do you want to do this? Ironically, it may be that you are better off painting such a non-image rather than photographing it.

For example, if you are to make a 4 ft x 8 ft photograph all white, you need to find a clean white flat surface large enough to photograph (or perhaps create it in Photoshop). A metal print that size is going to cost you about $1,200. Or a paper print is going to cost a lot of money too, and you’ll have to mount it on a very large mounting board. Then you’ll need to frame it and perhaps even put glass over it. That pretty quickly adds up to hundreds of dollars of cost. That’s why I say, why not paint it instead? Here are the steps to do so:

  • Buy a 4 ft x 8 ft panel of half-inch plywood with a layer of paper on one side. This is a standard lumber item.
  • Buy a small can of latex glossy white paint.
  • Rent a paint sprayer.
  • Spray-paint the panel white on the paper side. (If you use a brush, viewers will see it’s not a photograph.)
  • Take 3/4 inch by 2-inch wood molding painted white (or gray) and attach it all around the panel for a frame.
  • Attach some wiring on the back for hanging.
  • Sell for up to $30,000.

This is one of the rare artistic cases where painting is easier and less expensive than taking a photograph.

This is going to be a hard sell, however, unless you attach some BS to it to make it valuable. You have an explanation to write and the title to play with.

The explanation takes a little work but is not too difficult. Simply research on Google what other artists have said about their all-white paintings and distill to a similar line of compelling BS.

Titles are more difficult. They take some ingenuity and cultural awareness. But an all-white painting doesn’t have much value without evocative title words. Here are a few suggestions:

Pallor of the Matrix

Nuclear Landscape

Cache of Enlightenment

Samantha’s Anguish

Zachery’s Clean Soul

Cloud Number 17

(I’m sure you can do better than I have.)

There you have it! An easy way to cash in on this long-standing trend. This is the easiest fine art you’ll ever create. But a good title that is currently very trendy will take a lot of reflection. It might be something you want to refer to a focus group. This fine artwork lends itself to easy scaling. (Again, an observation based on a Napa Valley photograph exhibit.) For instance, you can put a thin line across the panel (presumably at the Phi grid line), and the painting becomes a whole different work of art.

Or you can put a thick line, preferably blurry, across the painting in the same way to create an additional great work of fine art. Etc.

Why work hard when you don’t have to? Be forewarned, however, that if you proceed as I have outlined, your spouse and your friends, relatives, and neighbors may think you’re something of a slacker. They may even call you heinous names. But all great artists have endured such accusations, and you should not let that bother you. It’s enough that museum curators and art gallery managers everywhere will applaud your vacuous work. So, the hell with your own people’s scurrilous denunciations.